A RARE INTERVIEW OF JESSE TALKING ABOUT RADIOHEAD!

Talking to Jesse feels a lot more like talking to God than any human should, and not just by virtue of his awesomeness. He's a very calming force: thoughtful and laid back, and – despite his moody and elusive reputation – quite the talker.
DiS: Hi Jesse. How are you?
Jesse Lacey: Hey. I'm good thanks. How's it going?
DiS: What are you up to today?
JL: We have practice, actually, for the first time in a while. We leave for tour in a few weeks, so we're just starting to go over sets and songs, and hash out all the parts we need to be playing and whatnot.
DiS: How did you feel about Daisy leaking online?
JL: We don't really care much about that stuff. We don't really concern ourselves with how those things affect our record sales, negatively or in any other way. I'm just glad that people are interested enough to go download it.
DiS: What do you think of the reaction to the record so far?
JL: People seem to be reacting to it kind of in polar states. I think a lot of people like it and like it a lot. Then there's another group of people who aren't in to it, but more passionately. They kind of hate it. I think we're pleased with a reaction like that. I think if we put out a record that was mediocre and kind of lukewarm, and if it was passive enough where everyone could listen to it and everyone could enjoy it, I don't think we'd be very fulfilled with that.
DiS: Do you think the record is a progression?
JL: I guess you could say there is a progression to this record from the last one, but I think also it's more a digression. We were, I think, returning to a lot of things and ways of playing that we enjoyed when we were younger. I think we're a little bit looser and we wanted to be noisier. We wanted a record that we could play live and have a good time, and I think we've accomplished that.
DiS: You've said in the past that you'd advise new bands against signing to major labels, despite being on one yourselves...
JL: I just feel at this moment in time for the majority of bands like ours, there's not much that a record label can offer them. I mean, really the major role of a record label was to press records, but that role has been diminished because record stores are closing around the globe. Everything's going to be digital, so there's no manufacturing.
The only real purpose a label serves right now is to advance money to a band, so they can have a recording budget. But even recording isn't as expensive an ordeal as it used to be. You can easily record records in your basement now and have it sound just as good as something recorded in a major studio. And in the end I think maintaining the control and decisions in your band is the most important thing.
DiS: You've set up your own label – Procrastinate! Music Traitors – and re-released a Kevin Devine record on it. Have you got plans to put any more records out?
JL: It depends. It takes money! So it depends if we discover anything good or if our friends want to put anything out through us. We're always open to it, but there's no real plan for it right now.
DiS: Your song, 'Sowing Season (Yeah)' is on the new Guitar Hero game. How do you feel about that?
JL: It's cool! I'm a big gamer. I like video games a lot... but Guitar Hero is kind of the one that really weirds me out. When people become very proficient at it, I wonder why they don't pick up a regular guitar. It's very fulfilling when you learn a song that you love on guitar and you play it, it's a great feeling. And that feeling is only slightly there when you learn a song on Guitar Hero. But we're always grateful for opportunities like that and it's cool to be part of pop culture in that way.
DiS: Well, I'm pleased because I can't do holding down strings! I've got weak fingers.
JL: Well, there you go! We'll make an exception for you. Guitar Hero's good for some people.
DiS: What bands do you like listening to and what bands do you think were influencing you when you were making the new record?
JL: To be honest I don't listen to much music any more. There are records I listen to that I think don't influence the band at all. Recently, Band of Horses, Bloc Party, I loved the last Radiohead record and I really haven't listened to any Radiohead records since OK Computer and maybe a little bit of Kid A – they haven't really been on my radar since then. Sigur Ros, Explosions In The Sky...
I think for a lot of this record we were listening to stuff that we listened to when we were younger. We were listening to Superchunk, Archers Of Loaf, Polvo, Modest Mouse, and even a lot of hardcore bands that we listened to when we were younger, like Fugazi.
DiS: How does it feel being a major influence for so many new bands?
JL: I don't know! I wonder if we're still touring in five years and if we take a younger band out on the road, will they be a band that has kind of pressed themselves from our mould. I think that would be really funny. And weird.
It's cool, though. If we're influencing people to pick up and instrument and start a band of their own – you know, not because they want to be famous but because they want to create something and they want to make music and they want to enjoy what it is to be in a band and to share those things – I can't imagine anything better coming from this. I hope we pass that feeling on.
DiS: Your Reading and Leeds festival sets caused a bit of a debate online. It wasn't a very obvious festival set... Like, you didn't play 'Sic Transit Gloria'...
JL: 'Sic Transit Gloria', I actually just forgot about! Sometimes you look at the set list and you go, I know I'm forgetting an obvious song here, but I can't figure out what it is... And then you just kind of go on stage. You literally just brought to my attention that that was the song I was thinking about.
DiS: You didn't allow the BBC to broadcast your set either.
JL: We didn't? Yeah, that's kind of... like... a decision... I'm not even sure if I had a part in that one. But sometimes we just don't feel like we're comfortable with a certain show being aired. We're definitely up tight and weird about those things, but you know, we can't help it.
DiS: What are the plans for Brand New beyond the Wembley Arena show in January?
JL: We're going to keep touring through next year. We'll probably come over to the UK for a little while, or go to Australia and Japan for a while. We'll see. We're not going to tour as relentlessly as we used to, I don't think. We're older now. We're old guys, and so we like being at home. We like writing music and recording it, and going out on tour is becoming increasingly harder and harder to do. So we'll see what happens.
DiS: There's internet rumours that Daisy is going to be the last Brand New record?
JL: I don't think that will be true. It might be our last full-length record for a little while, but we've got a lot of things lined up that we want to record, so I think that will happen pretty soon.
I'm never really going to say it's the last Brand New anything ever. I think we're just moving along with this and when we want to do something, we do it and when we don't, we don't. So if five years went by and we haven't done anything, I don't think that would mean we're not going to record a record again.
DiS: You don't do a lot of interviews. How do you decide who you're happy to talk to and when you just don't want to talk?
JL: I don't know what it is with me not doing interviews. I like talking to people, I like meeting people, I like discussing things... I don't so much like discussing our band, or myself. Those things don't really find their way into my everyday conversations. It's just something I do, and all the things that are attached to it I don't think I really agree with at all. So when people want to ask me about it, I'm like, I guess I can talk about that for a while. But the more I do, I don't want to do it.
It just doesn't interest me. I like playing music. I like being in a band. I like writing music. But I don't like talking about it. So there'll probably be a point coming up in the next couple of weeks when I'll just cancel all the rest of the interviews that I have scheduled for the year and keep my mouth shut for another couple of years.

THE KILLERS: A CONFESSION BY A FELLOW VICTIM


So just after my last post that I wrote that evening, I went on to a wonderful trip of a lifetime to Lapland. Never ever , had I thought that this trip would affect me to an unknown extent. While, the best part is that I never realized that the trip was that good until after at least one week after the trip. Something happened during the trip and I was shocked to the core of my heart. I needed something new, something beautiful and something big as soon as possible. But since, I confess that I'm so lucky :P , I met someone online and I came to know about The Killers' concert in Helsinki last month. 'For reasons unknown', I got this feeling of attending this concert at any cost, even though I was not so much into The Killers at that time. But fortunately, I had a friend who was into them and quickly agreed upon joining me in the concert. From there on began a journey that has now formed into one of the best and most memorable part of my life and I'm just living it! Right now, I'm listening to a 36 songs playlist of The Killers and Bones is on play.Sorry, I digress.

Yeah, so where was I. Yup, the concert. So we went to the concert. Enjoyed our every second. It took a quite a bit of preparation too. I had actually listened to The Killers for the first time back in 2009. I tried their 'Day & Age' and I found it quite good, but not good enough to get into them. For me, they were a good band, but just didn't fit to my taste. In the back of my head, I had decided that I would give them another try, but didn't know when. But as they say, somethings always come around. Fortunately again, they came back. But again, when they released Runaways, I was already listening to this new album of Gaslight Anthem and I found the vocals quite similar and didn't care about them at that time. But during the start of Decmeber last year, I somehow stumbled upon their new video for ' Here With Me' and man, it was stunning. I listened to it on repeat for many nights. I even downloaded their whole new album. But still their was something that was keeping me at the bay. It was like I never wanted to get into them. They just didn't feel my 'type' of band. While I continued my listening of Radiohead, Bright Eyes and Muse. But, then again, it was like the whole nature was conspiring me into listening The Killers. I was almost about to book tickets for the Muse concert but then somehow I booked this The Killers' concert ( because of the phase I was going through). So, now I was kind of forced to listen to their whole discography because hey, no one goes to a concert without knowing thier songs, right?!

Hence, began a new phase of my life and I've already listened to them for more than 1500 times in a matter of just 3-4 weeks! Still, I don't know how, but it was like, everything  was coming naturally. Everything that I tried, I instantly and unconditionally fell in love with. Starting from Hot Fuss and then Sam's Town, every song that I listened I started connecting my current situation with those songs and it was all for no reason. I realized that the image that I had of this band in mind was completely wrong. They are the perfect Emo band that I want, with sad songs full of craziness and upbeat music. It started with 'Bones' and ' The Rising Tide' and then continued through ' For Resons Unknown', ' Read My Mind' , ' Change Your Mind', ' All These Things That I've Done' and I even began to love the songs I thought were okay before like' Somebody Told Me' and ' When I Was Young'. But I think, the song that really made me a 'fan' of theirs is ' Glamorous Indie Rock & Roll'. And see the luck here, I first listened to this song on my way back to Turku form the concert :/. This song speaks to me the most. Then there are songs like 'On Top' , ' This Is Your Life' and ' Goodnight, Travel Well'. It's songs like these that make me stop loving bands and start worshiping them. See, this is what I look for in a band. Not just only their hits but their misses, that keeps me going and keeps me listening to them more and more. Also, songs like 'Sweet Talk', ' Carry Me Home' and ' Under the Gun' , that I've discovered quite late are some more reasons for me to become a die hard fan of them.

Also, I've realized that their are somethings common in this band too with the other bands that I listen to. First being the perfect music, lyrics and vocals. But the important one is this hidden crazyness, madness and sadness in their songs. This weird heroic tragedy in their songs share the same emotions as with those of Brand New, Radiohead, FOB and MCR. I'm sure, Brandon won't like this comparison if he reads this, because (idk) maybe they want themselves to be more like U2 or something in the sense of success but for me they are much more better than what they think they are. Wow, this song 'Sweet Talk' is so nostalgic! Maybe I should end my blabbering now and think about that person and enjoy the pain I feel while listening to this freaking amazing band.

Best Emo Songs I've heard till this date!

(For me Emo is simply emotional. Songs that fill you up with nostalgia, painful longings and yes of course a bucket full of tears! For me, it doesn't mean a music genre or a fashion statement, so there can be an "Emo" band with shitty songs and then there can be world-recognized super popular/respected bands making cheesy-yet wonderful pure emo songs.)

1. Jesus Christ/Handcuffs by Brand New:  This is as emo as it can get. These songs along with the whole album are very hard to listen to. They speak the truth. They scream their heart out. They make you cry  like a baby crying for it's lollipop.


2. Disenchanted/ I Don't Love You by MCR: These songs and specially the whole album is like you're listening to a freaking crybaby. The vocals, you'll either love it or hate it, and luckily I worship it. I was in perfect mood and shape when I began to listen this album for the first time. From then on, I've become more emo and there is no stopping now!

3. Easy/Lucky/Free by Bright Eyes:  Shit, this album is the very definition of Emo! It starts from a nightmare and then an alarm followed by painful background scream and a journey to a magical, lonely and a sad barren landscape.

4. Nobody Puts Baby in the Corner/ I've Got a Dark Alley and a Bad Idea That Says You Should Shut Your Mouth (Summer Song)  by FOB : If this is Emo, then I love Emo. These two songs are like the two lungs of an Emo body. Simply stunning. Pure lyrical genius. Also , the album has some pretty amazing glimpses of sad/emo moments which will fry your brains out. Brilliant.

5. Fake Plastic Trees/ Codex / Creep / How To Disappear / Motion Picture Soundtrack by Radiohead : In short, the whole discography of this freaking ridiculously talented band can be considered as Emo. Right from Pablo Honey to their Lotus Flower, all they've done is make you sad, crazy and sad again. Love them for this!

6. The Boy Who Blocked His Own Shot / Noro / You Stole/ No Seatbelt Song by Brand New : Once again, they've made the list. The reason they are called American Radiohead needs no expalnations. It's like that they love to bumm out the heart of their fans.

7. Demolition Lovers /  Early Sunset Over Monroeville / Jetset Life Is Gonna Kill You / I Never Told You What I Do for a Living by MCR :  Dark, bloody, epic, zombies. If these things don't make you weep then maybe you should try peeling onions.

8. Ohio Is For Lovers / Nikki FM / Decembers by Hawthorne Height : Now this is real emo. Cheesy lyrics, cheesy backing screams and shitload of tears. But still, the thing that makes them different from the rest of garbage is they did hit the right chords, rubbing salt on perfectly right places.

9. Trailer Trash  by Modest Mouse :  If possible try it's cover by Jesse Lacey. Just perfect. Haven't had the chance of going through all of Modest Mouse. But the three-four songs I've heard are so emo, that it's getting hard for me to try out their other stuff. But still, who knows maybe some day.

10. Everything to Nothing by Manchester Orchestra : Andy Hull, I think this guy has some issues. I think he takes joy in hurting others. The whole album is a loud-out-cryout! Sad and nothing else. Just magnificent.



Honorable Mention:

1. blink-182 (yes they are emo, they even have a song by this name  ;) ,just go and listen to 21 Days, Carousel, I Miss You, I'm Sorry and many many more!)

2. I'm Like a Lawyer with the Way I'm Always Trying to Get You Off (Me & You) / Headfirst Slide Into Cooperstown On A Bad Bet by FOB

3. Accident Prone by Jawbreaker

4. Untitled album by Brand New (this should had been in top ten :/)

5. Goodbye Sky Harbor  by Jimmy Eat World (exceptional)

 

P.S.  this whole article was written in a matter of 45 minutes ( a result of sudden fluctuation in mood of an "emo" guy while listening to Trailer Trash)

The song that changed everything for me

I remember the first time I listened to this song. I was on this train from my home to the college and it was already night. The lights were off and I wanted to sleep. So I put on my mobile to listen some songs so that I could sleep. I remember that I had some new stuff to listen to and luckily I decided to listen to this weird sounding band with a haunting album name. The song was Jesus Christ by Brand New. Today, according to last.fm, I'm listening it for 874th time while I'm writing this blog. I still remember how the guitar intro instantly caught my mind and I felt like I was at some place else. As the song progressed, the first lyrics that hit me hard was, "Do you believe that you're missing out and everything good is happening somewhere else". This thing, this little thing, struck me hard. All alone, on a train after spending one of the best days of my life, I was heading back to my college, to an unknown future. I have always felt that I am missing something and unfortunately, I still do. And then, Jesse ends the first verse with an amazing breath of fresh air like he is trying fly in the air, feeling weightless and thus making me feel weightless. The part where he sings, " And I~~~~, will die~~~~", this really creep-ed me out. Instantaneously, I thought, "WTF! did he just say!".  At the very same moment I felt like I have found the one who shares the same feelings as I do and that guy can express himself in a way I wanted myself to do. As the song continued, the train shaking sideways, lights off, all alone, I  was lost in an eternal universe. Every sentence, every chord and every verse was so real yet the world I just went in was so surreal, it was getting hard for me to sleep. Ironical, yeah! And then comes the bridge followed by the last verse where Jesse screams his heart out, " We all got wood and nails...". At first I didn't get what he was saying but still I felt like those were the most meaningful lines I had ever heard. And this is the power of music. This is what makes me love listening to music. And then came the outro. And this was when the shit just got real. It was like something completely new for me. At the very same moment I realized that what did that outro symbolize.  It makes the song endless. It meant that this song has no end and this thing goes on and on forever and that's when I realized that I've found my ultimate lullaby. I have a lot of perfect songs in my collection. Some lullabies too. But over the 3 years of my listening of Jesus Christ, this song has never failed me. It always, somehow, makes me sleep even when all the other songs fail to do so. Except for that one night(and that is something totally different story). And yeah, if you are wondering that what happened then on that night on train. I'm happy to tell you that I finally managed to sleep after listening to this song for almost 1 or 2 hours.

Well, this blog was just to describe some of my feelings for this song, and not the meaning of the song and especially not to assert that this is the best song ever made in modern music industry. I'm still listening to this song as I am ending this piece of crap.

 "We all got wood and nails, don't turn out hate in factories!" - Jesus Christ by Brand New

My inspiration, My Hero- Jesse Lacey

EN: Well I appreciate the time you’ve given me Jesse. I just wanted to leave you with something that made a lot of fans happy and I’ll just dovetail back to the interview you did in the UK. When asked what your greatest achievement was you said that as individuals you were all very content. I think that means a lot to your fans and hopefully even more so now with some of the things we’ve spoken about.

JL: Thank you very much. I think, you know what feels amazing? Out of all the lyrics I’ve written sometimes there is one sentence or one section or stanza that comes out EXACTLY the way I heard it in my head. Everything I wanted to say gets summed up perfectly. And I think, out of all the people listening, if even one other person hears that and hears it exactly the way I heard it in my head…if they connect with it exactly the same way then that’s the roof on my house. That’s my job done.

http://www.extremenonchalance.com/post/29055827334/brandnewinterview 

Mark Hoppus in an interview during "AFTER MIDNIGHT" video shoot

So here I have posted the answers of two intriguing  questions. These questions are different in way that not many interviewers ask such questions and the way Mark has replied gives you a real insight of this man's philosophy. Simply WONDERFUL!

Now that you're a father and you've settled down, what is it like playing your old songs? Is it weird?

It's great. I love it. I really love playing those songs. It's like a tattoo: It reminds you of a certain point in your life. It reminds you of where you were when you wrote it, what was going on in your life when you wrote it. Those songs are pieces of a scrapbook of all of our lives. I think that they are really great songs and even though we've been playing some of them for 25 years, every time we go on stage and play them it's still fun.

How are you going to expose your kid to your music? It can get inappropriate at times.

Oh yeah. My son has come on tour a bunch and he's asked why I get to say bad words on stage but he can't. I don't expect my kid to never curse or to say a bad word. My goal is to try and explain to him that there are places where you can say stuff and there are places where you can't say stuff. I put it to him like this: When you are in school and you're on the playground, you can run around and you can be silly and you can scream, you can play tag with your friends. But when you're in the classroom, you have to sit there, and listen to what the teacher is saying, and not raise your voice, and wait for your turn to talk. Bad words are kind of like that. There are places where you can say "f---" and there are places where you can't. The trick of being a human is to learn what that difference is.

TOP ALBUMS of 2011

1.Neighborhoods- Blink-182
2.Everything's Amazing & Nobody's Happy - Candy Hearts
3.Winter Forever - Seahaven
4.Goodbye Lullaby- Avril Lavigne
5.Heart Beats Pacific- Banner Pilot

Other albums that I listened this year
1. Adele- 21
2. All Time Low - Dirty Work
3. Britney Spears- Femme Fatale
3. Coldplay -Mylo Xyloto
4. Fucked Up -Davifd Comes To Life
5.Hawthorne  Heights - Hate
6. Joy Formidable -Big Roar
7. Lady Gaga- Born This Way
8. The Maine-The Pioneer
9. Man Overboard- Man Overboard
10. Manchester Orchestra - Simple Math
11. Panic! at the Disco- Vices and Virtues
12. Patrick Stump- Soul Punk
13. Pianos Become Teeth- The Lack Long After
14. Skyway - Finders Keepers
15. Sum 41 -Screaming Bloody Murder
16. Switchfoot - Vice Verses
17. Tonight Alive- What are yo so Scared Of?
18. Transit - Listen & Forgive
19. Yuck- Yuck
20. Sucker Soundtrack

Other artists that I listened

1. Skylar Grey- Invisible
2. Cults- Go Outside
3. D.R.U.G.S. -If You Think This Song Is About You, It Probably Is
4. Yellowcard - With you Around
5. Simple Plan - Jet Lag
6. Paramore - Monster
7. Mac Miller - Donald Trump
8. Parachute - You & Me
9. Middlenamekill- In The House Of A Witch
10. The Jane Doze - Tegan the Creator
11. fun- We Are Young
12. Finger Elven- Whatever Doesn't Kill Me
13. Architecture In Helsinki - Escapee